When the Stone Rood screen was in place the congregation could not see the Clergy, so, near the top of the Chancel wall, below a round- topped Norman window, one can see a blocked-up opening, which wo…
The only remaining evidence of the Whaplode St. Mary's Church band's existence in the 18th and 19th centuries is the the large 6 keyed Double Reed Bassoon, which used to hang in the South Ailse for ma…
The original 15th century hammerbeam oak roof was once a magnificent architectural feature of the church, with splendid intricate carvings, and possibly some applications of gold leaf or similar decor…
This is described as a creditable imitation of the original Norman font. Notably, it has a central cylinder of black stone surrounded by hexagonal panelled and fluted stonework, together with barley-t…
This George III Coat of Arms was painted in 1773 by Bullard, and has the names of the Churchwardens of the day thereon. It was likely commissioned by the Governors of Uppingham School, who became the …
This unique painting by Miss Mary Henrietta Dering Curtois (1854-1928) hangs on the wall of the North Transept of the Church and was presented by the Artist to St. Mary's in 1907. It is unusual in two…
This magnificent canopied ten poster tomb of Sir Anthony Irby (1577 -1610, built circa 1625, would not look out of place in a Cathedral. Herewithin, are the remains of Sir Anthony and Lady Elizabeth I…
The Reredros (Altar Screen) was erected in the early 18th century, and is believed to be from the 'Flemish region' of the Low Countries. It has typical centre piece directly in line with the High Alta…
The North Aisle shows the original Norman clerestory and plain aisle windows. The South Aisle displays the reconstructed clerestory windows, beneath which sit the three comparatively ornate aisle wind…